During the turbulent last years of the fifth century BC, Athens twice suffered the overthrow of democracy and the subsequent establishment of oligarchic regimes. In an in-depth treatment of both political revolutions, Julia Shear examines how the Athenians responded to these events, at the level both of the individual and of the corporate group. Interdisciplinary in approach, this account brings epigraphical and archaeological evidence to bear on a discussion which until now has largely been based on texts. Dr Shear particularly (...) focuses on the recreation of democracy and the city, both ritually and physically, in the aftermath of the coups and demonstrates that, whilst reconciliation after civil strife is difficult and contentious, it is also crucial for rebuilding a united society. Theories of remembering and forgetting are applied and offer a new way of understanding the dynamics in Athens at this time. (shrink)

Every winter in the classical period, on a specifically chosen day, Athenians gathered together to mourn the men who had died in war. According to Thucydides, the bones of the dead killed in that year lay in state for two days before being carried in ten coffins organized by tribe to thedêmosion sêmawhere they were buried and then a speech was made in honour of the dead men by a man chosen by the city. As his description makes clear, this (...) ceremony was a public event attended not only by citizens and foreigners, but also by the female relatives of the dead men. Other sources report that thepolemarchosput on theagônfor those who died in the war and these contests included musical, athletic and hippic competitions. The war-dead also received sacrifices. The occasion combined burial with cult and games usually afforded to the divine, although how exactly this combination worked in practice is not clear because Thucydides, our single best source for the Epitaphia, focusses on the burial and the oration given by Pericles in the winter at the end of the first year of the Peloponnesian War. (shrink)

Telle que l’a définie Christiane Sourvinou-Inwood, la polis religion est intimement liée à la formation des identités religieuse, civique et culturelle, et elle est davantage concernée par le groupe dominant que par l’individu. Cet article pose la question de savoir si le système religieux laisse de la place à des conceptions qui ne relèvent pas du groupe dominant et dans quelle mesure un tel système peut s’accomoder de la variété. En partant du culte des Tyrannoctones à Athènes, il s’agit de (...) montrer que ce culte offre une version spécifique de la mise à terre du tyran et de l’établissement de la démocratie qui rencontre les besoins de la cité. Cette version n’a pas empêché d’autres de circuler, mais ces traditions alternatives ne pouvaient pas entrer indéfiniment en compétition avec la cité et elles se sont dès lors éteintes. Au total, la polis religion peut inclure des voix multiples, mais les groupes qui les portent doivent sans cesse lutter contre les influences de la version dominante, qui est celle de la cité. (shrink)

Re-examination of the well-known Atarbos base in the Akropolis Museum shows that the monument had two distinct phases which have generally been ignored in previous discussions: it originally consisted of a pillar supported by the extant right block decorated with the relief of purrhikhistai; subsequently, the pillar was removed, the base was doubled in size, and three bronze statues were erected. Close examination of the remains and the style of the reliefs indicates that the original period dates to 323/2 BC (...) with the second phase following within a year. In light of this chronology, the prosopography of the family is reviewed and new restorations are suggested for the base's inscriptions. In its first phase, the monument belonged to a newly identified series of memorials consisting of rectangular bases with pillars supporting either a relief or a Panathenaic amphora. Such structures commemorated victories in various tribal events of the Panathenaia and were set up both by individuals and by tribes. The earliest known example appears in a vase painting of c. 430-420 and the type continued to be used until at least 323/2. The identification of this series also provides further evidence for history of the purrhikhe, the cyc1ic chorus, the anthippasia, and the apobatic race at the Panathenaia, as well as the identities of specific victors in these contests. (shrink)